I begun the unnerving task of writing my first, feature-length screenplay – Downward Mobility – recently. Months of planning, treatments, pitches and character profiles behind me, I now begin at the start line as it were!
The story has been carved out, it just needs a gentle sanding . However, I am now charged with the mammoth, albeit enjoyable, task of communicating that story for producers, actors and directors to interpret. Remarkably, I’m discovering that the most difficult undertaking is capturing the economic-simplicity of a screenplay.
Is Blogging Devaluing the ‘typed’ word? Part V
I find the easiest way to address this is to quote Melissa’s concise response to my question: ‘At what point do you believe that written work becomes worthy of a monetary value?’ She stated simply, ‘when it is well written.’ (See An Interview With Melissa Foster). In many ways this sums up my research. The ‘word’ will always have an inherent value to it. Whether it be written or typed a value will always be there.
I’m continuing with my research into the effect that blogging is having on modern day writing. I’ve already gathered some very interesting information from my survey and many thanks again to everyone for their help.
I’m now arranging interviews with writers, bloggers & publishers in order to get opinions on the effect that blogging is having on writers. If you’re interested is sharing your experiences, ideas or opinions then I’d love to hear from you. I’m interested in finding out how bloggers feel about blogging and the effects that it is having on their careers. I’ll post the interview on my blog and credit all of your opinions as your own.
If you’re interested please leave a comment after this post or email me at: firstname.lastname@example.org
I look forward from hearing from you.
So everyone, I’m starting a project about writers blogging and the potential for devaluation of intellectual property. I think that this must be an issue at the back of every blogger writers mind. We blog for exposure, for pleasure and to connect with people; this seems needless to say. Further, not everything we produce could be said to have a monetary value – this project for example which I am completing for my MA. However, where then, as writers, do we draw the line? That short story you’ve been working on? The novel you’ve just given the final proofread to? The screenplay you’re struggling to find an agent for? Should you post it online for free? Why? Why not?
I think that we all have our own ideas of where exposure – literary or otherwise – turns from the golden tan to sunstroke. In the coming weeks I’ll be delving deeper down the rabbit-hole and asking bloggers and writers how they tread the tightrope between what they should give away and what they expect payment for.
I’m more than happy to hear anyone’s views on this matter so feel free to comment on the post, send me an email: email@example.com or ask for a questionnaire if that helps.
I’ve been going through a stage of writer’s block for the last couple of weeks now. I’ve just had no real motivation to write anything. At first I was putting it down to the fact that I’ve started a new job and have been stressed about it. But that’s never really stopped me from writing before. The more I think about it, the more I think that location is at the heart of the problem.
Why can’t I read a story for its purpose? Why does everything need to be dissected? This has been something that has been troubling me recently. I’ve been reading ‘How to Write a Novel’ books and reading quite extensively. I’ve been doing this to help me with my novel. These have their value in helping with structuring my own work. However, I’ve been wondering about whether or not I’m removing the joy of a creative work by reducing it to a formula to be studied.
I was at a family gathering last night back in Ireland. It happened at my late grandmother’s house; the place where I spent some of the best days of my childhood. The nostalgia crept up on me instantly as I walked up to the farm. It was the place where my cousins I and first allowed our imaginations to run wild. They were the days when I created my worlds physically to run amok within. In some ways I suppose it was where my love of the imagination grew from. I don’t think that I’d be a writer today if I hadn’t spent my childhood making stories among those fields. A broken down tractor that became a multi-functional vehicle. A collection of trees that became the set of a million different dramas. The bales of hay that became a wrestling ring. However, when I began to think about writing about what I saw; I couldn’t.