Graffiti can be a fantastic resource for those who – by circumstance of choice – are isolated from mainstream artistic expression. People can make virtually any (legally or not) public space the canvas of their message or expression. Equally its target of criticism can be the very building, which a graffiti artist uses to display their message. However, all too often, it can be merely a manifestation of nothing except somebody’s attempt at immortality or being noticed. I’m referring to the mindboggling concept of tagging one’s own name. Athens is no exception to this phenomenon and in many ways it’s an exemplar of this inane form of self-expression.