I’ve chosen a beautiful drawing by Andrea Bowers, which is based on Walter Crane’s 1894 Offering for May Day as the photo for this piece on purpose. Walter’s original was published in a socialist magazine and Bowers reimagined version can be seen in London’s Tate Modern. Theoretically this should be seen as a progression because the symbol has become immortalised in art and lauded as a masterpiece in the modern day. However, in reality, it seems to symbolise society’s desire to romanticise symbols for their aesthetic beauty and not their message.